Noémie Ducimetière is a singer, guitarist, composer and producer with a background in electronics, traditional folk music and almost a decade of experience in film scores and sound design. Since her first feature in 2016 Noémie's scores have been recognised in over 40 film festivals, including IDFA, Karlovy Vary, and the Zurich Film Festival, and has been produced by the likes of Falling Tree, NOWNESS, REAL STORIES, GREENPEACE, and BFI.
Also a songwriter and live performer, Noémie releases her own music under the moniker Noum, accompanied by drummer Ayman Sinada and bassist Mandy Nossen.
Noémie is also an original member of Idrîsî Ensemble, with whom she explores medieval and traditional forms of music such as Troubadour and Old Roman chants, and polyphonies from Corsica and Greece. Her adventure with Idrîsî began in 2017 with her fruitful collaboration with Corsican-French composer, researcher and director of the ensemble, Thomas Fournil, who trained her to read and interpret medieval manuscripts in Latin and Occitan and acted as her mentor for several years. Since then the project has grown to involve up to 20 members, a growth spurt which culminated in 5 members sharing a stage with Jordan Rakei in late 2024, performing one of Thomas' compositions in the style of the UNESCO-protected Corsican polyphonic tradition 'Paghjella', a performance which lead to a rapturous applaud from a full Royal Albert Hall.
Noémie has also received training from Palestinian-British oud player Kareem Samara, Algerian-French Old Roman chant expert Marcel Pérès of the Organum Ensemble and Greek modal teacher Evgenios Voulgaris.
Also a songwriter and live performer, Noémie releases her own music under the moniker Noum, accompanied by drummer Ayman Sinada and bassist Mandy Nossen.
Noémie is also an original member of Idrîsî Ensemble, with whom she explores medieval and traditional forms of music such as Troubadour and Old Roman chants, and polyphonies from Corsica and Greece. Her adventure with Idrîsî began in 2017 with her fruitful collaboration with Corsican-French composer, researcher and director of the ensemble, Thomas Fournil, who trained her to read and interpret medieval manuscripts in Latin and Occitan and acted as her mentor for several years. Since then the project has grown to involve up to 20 members, a growth spurt which culminated in 5 members sharing a stage with Jordan Rakei in late 2024, performing one of Thomas' compositions in the style of the UNESCO-protected Corsican polyphonic tradition 'Paghjella', a performance which lead to a rapturous applaud from a full Royal Albert Hall.
Noémie has also received training from Palestinian-British oud player Kareem Samara, Algerian-French Old Roman chant expert Marcel Pérès of the Organum Ensemble and Greek modal teacher Evgenios Voulgaris.